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|--------------------------------------------------------------------| |--------------------------------------------------------------------| |-------10-10-10--------------8/10-10-10-10-8-8-8-8-7-7-7-5b7rb5-3---| |-10b12----------10b12rb10-8~----------------------------------------| |--------------------------------------------------------------------| |--------------------------------------------------------------------| |---------------------------------------------------------------------| |------------------------------------------------6-------11-13b15rb13-| |-8/10-10-10-10-8-8-8-8-7-7-7-5b7rb5-3-------6/7---11/12--------------| |------------------------------------------8--------------------------| |--------------------------------------7/8----------------------------| |---------------------------------------------------------------------| |----13b15-13--------------------15-15-15rb13--------------| |-11----------13b15rb13-11-13b15-15-15-15rb13-13b15rb13-11-| |--------------------------------15-15-15rb13--------------| |----------------------------------------------------------| |----------------------------------------------------------| |----------------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash