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|---------------------------------------------------------------| |---7-7h8-7---8~---7--8-7--------7-7h8-7---7--------------------| |-9---------9-------------9~---9---------9----7-7-7-9-7-7---7-7-| |---------------------------------------------------------9-----| |---------------------------------------------------------------| |---------------------------------------------------------------| |--------------3-5-7-5-3--7--5-5--3--7--5-3-3~-| |-8-7--8p7~----5-7-8-7-5--8--7-7--5--8--7-5-5~-| |----------------------------------------------| |----------------------------------------------| |----------------------------------------------| |----------------------------------------------| |-8-8-8--10--8---8p7--------------8--8--7-7--5-5----------| |-8-8-8---8--8---8----8-8--------10-10--8-8--7-7--8-8p7-7-| |---------------------7-7--7-7--------------------9-9p7-7-| |--------------------------9-9----------------------------| |---------------------------------------------------------| |---------------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash