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|------------------------------------------------| |--------------10------10------------------------| |-----7h9-7-9---9b10--b10r9--7-9-7~--7----7----7-| |-7h9-7h9----------------------------7h9--7h9--7-| |-7h9--------------------------------------------| |------------------------------------------------| |------------------------------------------------------12b-10-12b| |--------------------10---------------10h12--10h12-10~-----------| |-----7h9--7-9--9/11----11\9--7-9-7~-----------------------------| |-7h9-7h9--------------------------------------------------------| |-7h9------------------------------------------------------------| |----------------------------------------------------------------| |-10----10----10-----10--10----------------------| |-10h12-10h12-10h12--10--12---10--------------10-| |------------------------------9h11p9/7--9/11----| |------------------------------------------------| |------------------------------------------------| |------------------------------------------------| |-10-10-10---9--9--9--7-7-7--5-5-5-| |-12-12-12--10-10-10--8-8-8--7-7-7-| |----------------------------------| |----------------------------------| |----------------------------------| |----------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash