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|----x-----------x------------x-----------x-------| |-0--x--0--0---2-x--3-3----0--x--0--0---2-x--2--2-| |-0--x--0--0---2-x--2-2----0--x--0--0---2-x--2--2-| |-2--x--2--2---2-x--0-0----2--x--2--2---2-x--2--2-| |----x---------0-x------------x---------0-x--0--0-| |-0--x--0--0-----x---------0--x--0--0-----x-------| |----x-----------x------------x---------------------| |-0--x--0--0---2-x--3-3----0--x--0--0---2-2--2-2--2-| |-0--x--0--0---2-x--4-4----0--x--0--0---2-2--2-2--2-| |-2--x--2--2---2-x--4-4----2--x--2--2---2-2--2-2--2-| |----x---------0-x--2-2-------x---------0-0--0-0--0-| |-0--x--0--0-----x---------0--x--0--0---------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash