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|-----------------0--------------------------------------------0-| |---------0h3-----------3p1---------------3/5--3--0-----0h3------| |------0-------------0------------0-----0------------0-----------| |-0h2---------------------------2-----2--------------------------| |--------------3-------------0------3-----------------------3----| |-----------------------------------------0----------------------| |-----0--2--0h2p0-------------------------0---------------------| |---1--------------3--1p0--3--0--3--0--------3--0---------------| |-0------------------------------------------------0------------| |-------------------------------------------------------4--2--2-| |-----------0-----------------------------------------3---------| |--------------------------------------0------------------------| |---------------------------------------------------------------0-| |-------------------------------------------------------------0---| |----2-----2--0-----------------0---------0-----------------0-----| |----2-----------2-----2-----2-----2----2----2------------4-------| |-0-----------------3-----0-----------3----------2------0---------| |-------0--------------------------------------0---3--0-----------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash