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|----------------------------------------------------------------| |-0--------0-----------0------------------------------0--3--0----| |----0--2-----0--2-----------------------4\2-------2-----------3-| |----------------------------------4--5----------0---------------| |-------------------------2/7--7---------------------------------| |-------2-----------0-------------------------2------------------| |-------------------------------------------------------------| |------------------------------------0-----------0----------0-| |----0-------------0-----2--2-----2-----2--2--2-----0--2------| |-------4/5--4--2---------------------------------------------| |-3-----------------------------------------------------------| |---------------------2--------2--------------2----------0----| |-------------------------------0-------------3--2--3p2p0----| |-1--0--------0-----0--0--3--3--------------1----------------| |-2--0--2--0-----2-----------------0------0------------------| |-------4-------------------------------2--------------------| |----------------------------------3--3----------------------| |----------------2-----------------------------------------0-|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash