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|-0----0--0-0-0-0--0----0--0-0-0-0-0-----------------------------| |-3/5--5--5-5-5-5--3/5--5--5-5-5-8-10----------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |-0----0---0---0---0--0--0-0-0-0---------------------------------| |-3/5--5--12--12--10--8--5-5-3-5---------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |-0----0-0--0--0-0-0-0-0-0-0-0-0---------------------------------| |-3/5--5-5--5--7-8-7-5-3-0-0-3-5---0-0-0-0-0-0-0-0---0-0-0-0-0-0-| |----------------------------------2-2---2-2-2-2-2h4-4-4-4-4-4-4-| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash