* This content is licensed by BMI
|-0----0--0-0-0-0--0----0--0-0-0-0-0-----------------------------| |-3/5--5--5-5-5-5--3/5--5--5-5-5-7-8-----------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |-0----0--0-0-0-0-0-0--0----0----0-------------------------------| |-3/5--5--5-5-5-3-2-3--2--0-0--0-0-0-----------------------------| |-------------------------2----2---0-----------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |-0----0--0-0-0-0--0----0--0-0-0-0-0-0-0-0-0---------------------| |-3/5--5--5-5-5-5--3/5--5--5-5-5-7-8-7-5-3-0--0-----0--0----0----| |----------------------------------------------2/4--4--4/6--6----| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash