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|-10/12~~-12/14-14-14-15-15b17-15b17-17b19--------------------| |------------------------------------------15~~----------15~~-| |-----------------------------------------------14-16-14------| |-------------------------------------------------------------| |-------------------------------------------------------------| |-------------------------------------------------------------| |-------------------------------------------------------------------| |----------15-15b17-15-----------15~~----------15-15b17-15----------| |-16-14-16-------------16-14-16-------16-14-16-------------16-14-16-| |-------------------------------------------------------------------| |-------------------------------------------------------------------| |-------------------------------------------------------------------| |---------------------------------------------------------------| |-15~~----------15-17-------------12----------------------------| |------16-14-16-------16-14-12-14----14b15-12~~-11-11b12r11-9-7-| |---------------------------------------------------------------| |---------------------------------------------------------------| |---------------------------------------------------------------| |-12-------| |-15b17-15-| |----------| |----------| |----------| |----------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash