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|------8----8h10-|------8----8h10h12-| |-8-10---10------|-8-10---10---------| |----------------|-------------------| |----------------|-------------------| |-0--------------|-8-----------------| |----------------|-------------------| |------8----8h10-|------8----8h10h12-| |-8-10---10------|-8-10---10---------| |-0--------------|-------------------| |----------------|-------------------| |----------------|-------------------| |----------------|-8-----------------| |------8----8h10-|------8----8h10h12-10---8h10h12-10---| |-8-10---10------|-8-10---10---------------------------| |----------------|----------------------0--------------| |----------------|-------------------------------------| |-0--------------|-8---------------------------------0-| |----------------|-------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash