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|-------------|-------------0-|-------------|-------------0-| |-----1---1h3-|-----1---1h3---|-----1---1h3-|-----1---1h3---| |-0-2---2-----|-0-2---2-------|-0-2---2-----|-0-2---2-------| |-------------|-3-------------|-------------|---------------| |-0-----------|---------------|-------------|-3-------------| |-------------|---------------|-3-----------|---------------| |-------------|-------------0---|-----------0---------| |-----1---1h3-|-----1---1h3---3-|-----3-1h3---3---3-3-| |-0-2---2-----|-0-2---2---------|---0-0-----------0-0-| |-------------|-3---------------|---0-------------2-2-| |-0-----------|-----------------|---------------0-----| |-------------|-----------------|-3-------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash