* This content is licensed by BMI
|--------------------------------------------------------------| |-------------------------------------8-10-8-10b12-10b12~~-----| |------7-9-7----------------------7-9--------------------------| |--7/9-------9/7-5-----5-5----7/9------------------------------| |------------------5h7-----------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--b12r10-8-10-10b12r10-8--8-----------------------------------| |--------------------------7h9-7-------------------------------| |--------------------------------9\7p5--5h7p5---5-5------------| |---------------------------------------------7----------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |---7/9-7-5-7-5---5----0h2-0---------------------5-------------| |---------------7------------2-0-------------5-7---7-----------| |--------------------------------3-0-3---5/7-------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash