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|----------------------------------------------------------| |------------8b-8-7-8--------7--8--10--10/12---------------| |\4-5-7---------------5~-7/9------------------16p14-12-14~-| |-------5/7~-----------------------------------------------| |----------------------------------------------------------| |----------------------------------------------------------| |--------------------------------19----17b-17b--15-17-----| |-------------10-------------/15----15----------------15~-| |----------11----12br-12-12~------------------------------| |-------12------------------------------------------------| |----12---------------------------------------------------| |-10------------------------------------------------------| |-------------------------------------------------------------| |-------------------------------------------------------------| |-------------------------------------------------------------| |-----------------------------------------12-14-16---14-16-17-| |---------------------10-12-14---12-14-15---------------------| |-8-10-12---10-12-14------------------------------------------| |---------------------19b~-| |-----------15-17-19-------| |-14-16-17-----------------| |--------------------------| |--------------------------| |--------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash