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|---8---------------------------------------------------| |-----5~---8b10r8--5b6r6----------8--5~--8b10r8/13--13~-| |-5-----------------------7-5~--------------------------| |-------------------------------------------------------| |-------------------------------------------------------| |-------------------------------------------------------| |---------------------------------------12-----15-----17--20~-| |-------------------------13-----15--13-----15-----17---------| |-----------12-----14--12-----14------------------------------| |----14--12-----14--------------------------------------------| |-15----------------------------------------------------------| |-------------------------------------------------------------| |--------------------------------------------------| |-1/3--1/3---3/5--3/5---5/6--5/6---6/8--6/8--6/8~--| |--------------------------------------------------| |--------------------------------------------------| |--------------------------------------------------| |--------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash