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|--------------------------------------------------------------| |--3----3-----------3---3-----------0---0---0h3-----3----------| |-----2---2---2-------2---2---2-------0-----------0------------| |--0--------0---------------0-------------------0--------------| |-------------------2------------------------------------------| |-----------------------------------3-----3--------------------| ------------0-------------------------------------------------| |--0h2---2--------2--------------------------------------------| |------2---2----2---2------------------------------------------| |--------------------------------------------------------------| |--0-----------------------------------------------------------| |--------------------------------------------------------------| |-----------------------------------0--------0-----------------| |------0------0h3-----3--0h2----2-------2----3-----------------| |----0---0----------0---------2---2---2---2--2-----------------| |-----------------0--------------------------0-----------------| |------------------------0-------------------------------------| |--3--------3--------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash