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|-13-13-------------------13--15--13--15b--13--13----------| |-------13-13h15--15--15----------------------------15--13-| |----------------------------------------------------------| |----------------------------------------------------------| |----------------------------------------------------------| |----------------------------------------------------------| |-------------------------------------------------------------| |--15--13--15--13---11b13--11b13---11b13--11b13--11b13--11b13-| |-------------------------------------------------------------| |-------------------------------------------------------------| |-------------------------------------------------------------| |-------------------------------------------------------------| |----------------------------------------------------------------| |-11b13r11---------11b13--11b13--11b13-11b13--11-10--11p10-------| |-----------10~----------------------------------------------10~-| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |-----------------------| |-----------------------| |-----------------------| |--8h10--8----8h10------| |--------------------8--| |-----------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash