* This content is licensed by BMI
|----------------------------------------------------------------| |-5---5---0-----0---7-x-7---8-----8------------------------------| |-0---0---0-----0---0-x-0---0-----0------------------------------| |---------------------x------------------------------------------| |-3---3-------------5-x-5---7---7---5----------------------------| |---------3---3---3----------------------------------------------| |----------------------------------------------------------------| |-5---5---0-----0---7-x-7-x---7-x-7-x----------------------------| |-0---0---0-----0---0-x-0-x---0-x-0-x----------------------------| |---------------------x---x-----x---x----------------------------| |-3---3-------------5-x-5-x-5---x-5-x----------------------------| |---------3---3---3----------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash