* This content is licensed by BMI
|-----0-------0-------0------------------------------------------| |-----0-------0-------0-------7-7-7-7-7-7-4-5-------5-------5----| |-2---1---2---1---2---1-------4-4-4-4-4-4-4-6---6---6---6---6---6| |-2---2---2---2---2---2---------------------6---7---6---7---6---7| |-0---2---0---2---0---2---2-----------------4---7---4---7---4---7| |-----0-------0-------0---------------------5-------5-------5----| |-0-0-0-0-0-0-0-0-0----------------------------------------------| |-0-0-0-0-0-0-0-0-0----------------------------------------------| |-1-1-1-1-1-1-1-1-1----------------------------------------------| |-2-2-2-2-2-2-2-2-2----------------------------------------------| |-2-2-2-2-2-2-2-2-2----------------------------------------------| |-0-0-0-0-0-0-0-0-0----------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash