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|-------------------------|------| |------12-12--------------|------| |-9-9---------9--11-11-11-|-(4x)-| |-------------------------|------| |-------------------------|------| |-------------------------|------| |------------|------| |--12--------|------| |------11--9-|-(5x)-| |------------|------| |------------|------| |------------|------| |----------------------| |-12--12--12--12-12-12-| |-11--11--11---9--9--9-| |----------------------| |----------------------| |----------------------| |--------------------------| |-12--12--12--12-12-12--12-| |-11--11--11--11--9--9---9-| |--------------------------| |--------------------------| |--------------------------| |-----------------------------| |-12--12--12--12-12-12--12-12-| |-11--11--11--11--9--9---9--9-| |-----------------------------| |-----------------------------| |-----------------------------| |-------------------------|------| |--12--12--12--12--12--12-|------| |--11---9---9--11---9---9-|-(3x)-| |-------------------------|------| |-------------------------|------| |-------------------------|------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash