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|----------------------------------------------------------------| |----------------------------------------------------------------| |----------10/11--10/11--------------10/11--10/11----------------| |-9--x--9--10/11--10/11--9--x--9--x--10/11--10/11----------------| |-9--x--9---8/-9---8/-9--9--x--9--x---8/-9---8/-9----------------| |-7--x--7----------------7--x--7--x------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |-7--x--7-----7--7/9--9--9--7--9--10--9--7-----------------------| |-7--x--7--7--7--7/9--9--9--7--9--10--9--7--9--------------------| |-5--x--5--7--5--5/7--7--7--5--7---8--7--5--9--------------------| |----------5--------------------------------7--------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash