* This content is licensed by BMI
|--------11-11-11-------------------| |-9-9-7-----------11-11-11-11/12-11-| |-----------------------------------| |-----------------------------------| |-----------------------------------| |--------7--------------------------| |--------11-11-11----------------------| |-9-9-7-----------11-11-11-11/12-11-12-| |--------------------------------------| |--------------------------------------| |-----------------9---------9/10-------| |-0------7-----------------------------| |--------11-11-11----------------------| |-9-9-7-----------11-11-11-11/12-11-12-| |--------------------------------------| |--------------------------------------| |-----------------9---------9/10-------| |-0------7-----------------------------| |-----------------------|-----| |---------4-4-4---------|-----| |---------------3-3-3-4-|-4-3-| |-4/6-6-4---------------|-----| |---------2-------------|-----| |-0-------------2-----4-|-----|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash