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|--------------------------------------|-------------------| |--------------------------------------|-7b8r7-------------| |-6b7r6-----7b8r7-----6b7r6--6b7r6-----|--------7b8r7p6----| |--------7---------7----------------7~-|-----------------7-| |--------------------------------------|-------------------| |--------------------------------------|-------------------| |---------------------------------------------------------------| |----7b8r7---------------------------------------7--------------| |-----------7b8--6~-----6b7r6-----7b8r7p6-----------7b8--6~-----| |-7------------------7---------7-----------7~-7--------------7~-| |---------------------------------------------------------------| |---------------------------------------------------------------| |--------------| |-8------------| |-7b9r7--6-----| |-----------7~-| |--------------| |--------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash