* This content is licensed by BMI
5x |-3--3---------|-3-|-3-------------4--------4--------3--------3-| |-4--4---------|-4-|-2-------------4--------4--------3--------3-| |-3------------|---|-3-------------3--------5--------4--------4-| |--------------|---|-1------------------------------------------| |-3----------3-|---|----4--3--1----------6-----------------5----| |------3--6----|---|-------------4----8--------8--3-----7-------| 4x |-------3--------------3-----3-----3-----3-----3--1---|--3--| |-------3--------------4-----4-----4-----4----1---1---|--3--| |-------4-----------5-----4-----3-----2------1----1---|--0--| |----------------3------------------------------------|--0--| |----3-----5--6-----3-----3-----------3-------------4-|--2--| |-7----------------------------------------1----------|--3--|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash