* This content is licensed by BMI
|----------------------------------------------------| |----------------------------------------8-------8---| |----------------------------------------9-------9---| |-------------------7-7-9-7-7-7-9-7------9-------9---| |-5-5-7--5-5-5-7-5--5-5-5-5-5-5-5-5--7-7-7-7-7-7-7-7-| |-3-3-3--3-3-3-3-3-----------------------------------| |--------------------| |--------------------| |--------8---------8-| |--------x---------x-| |---9-9--9--9-9-9--9-| |---7-7--7--7-7-7--7-| |--------------------------------------------------------| |----------------------------------------8-------8-------| |----------------------------------------9-------9-----8-| |-------------------7-7-9-7-7-7-9-7------9-------9-----x-| |-5-5-7--5-5-5-7-5--5-5-5-5-5-5-5-5--7-7-7-7-7-7-7-7---9-| |-3-3-3--3-3-3-3-3-------------------------------------7-|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash