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|--------------------------------------------------------------| |---------------5------------7\9--7--5--4--------4-------------| |---------------5-----------------9--5--5----5-----------------| |-------------------6--------7\9--8--6--4------4---------------| |-2-----------------7---------------------6--------------------| |--------------------------------------------------------------| |---0-2-4-5-------5--------------------------------------------| |--6\7--5--4--2-------2----9--------9--------------------------| |--8\9--7--5--2---2-------10---10------------------------------| |--8\9--6--4--2-2----------9-9---------------------------------| |-------------4-----4-----11-----11----------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------0-----0-----0-----------------------------------------| |-1--0h2---0h2---0h2-------------------------------------------| |-2------------------------------------------------------------| |-2---------------------2--------------------------------------| |-----------------------0--------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash