* This content is licensed by BMI
|--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |------------------4-4-4-4-4-4-4-4-----------------------------| |-2-2-2-2-2-2-2-2--2-2-2-2-2-2-2-2-----------------------------| |-0-0-0-0-0-0-0-0----------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |------------------2-2-2-2-2-2-2-2-----------------------------| |-4-4-4-4-4-4-4-4--0-0-0-0-0-0-0-0-----------------------------| |-2-2-2-2-2-2-2-2----------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |------------------4/6-4--2-2-2------------4/6-4-2-------------| |-4-4-4------2-4-4--------0-0-0------2-4-4---------------------| |-2-2-2-2-4----------------------2-4---------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash