* This content is licensed by BMI
|------0---0-------------0---0------------0---0----------------| |--------3---3---3---------2---2---2--------3---3---3----------| |---2----------2------2----------2------2---------2------------| |--------------------------------------------------------------| |-------------------0-----------------2------------------------| |-3------------------------------------------------------------| |-----0---0------------0---0------------0---0------------------| |-------3---3---3--------3---3---3--------2---2---2------------| |---2---------2------2---------2------2---------2--------------| |-0------------------------------------------------------------| |-----------------------------------0--------------------------| |------------------3-------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash