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|--------------------------------------------------------------| |--------------------------------------------------------------| |---------------------4-4-4-4--4-4-4-4---9-9-9-9--9-9-9-9------| |--2-2-2-2--2-2-2-2---4-4-4-4--4-4-4-4---9-9-9-9--9-9-9-9------| |--0-0-0-0--0-0-0-0---2-2-2-2--2-2-2-2---7-7-7-7--7-7-7-7------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--6-6-6-6--6-6-6-6----------------------4-4-4-4--4-4-4-4------| |--6-6-6-6--6-6-6-6---2-2-2-2--2-2-2-2---4-4-4-4--4-4-4-4------| |--4-4-4-4--4-4-4-4---0-0-0-0--0-0-0-0---2-2-2-2--2-2-2-2------| |--------------------------------------------------------------| |--------0-----0-----------------------------------------------| |--------------------------------------------------------------| |----3-----3-------------4-4-----------------------------------| |------4-----4-----2-2---4-4-----------------------------------| |------------------0-0---2-2-----------------------------------| |--2-----------------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash