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|----------0---------------------------------------------------| |--------0---------1----------------1--------------------------| |------0---------2---2-----0------0---0-----0------------------| |--0h2---------3----------------2------------------------------| |------------3---------0h3----3---------0h3--------------------| |--------------------------------------------------------------| |--------------------------------0-----------------------------| |--------3---------------3-----1-----------1-------------------| |------0---0-----0-----0-----0-----------2---2-----0-----------| |----0---------------0-----2-----------3-----------------------| |------------0h3---------------------3---------0h3-------------| |--3---------------3-------------------------------------------| |-------------------------------------2------------------------| |--------1-----------------3----------3------------------------| |------0---0-----0-------0-----0------0------------------------| |----2-----------------0-----------0--0------------------------| |--3---------0h3-----------------------------------------------| |--------------------3-------3---3----3------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash