* This content is licensed by BMI
|--------------------------------------------------------| |-------8--8--8--7--7--8--8--------8--8--8--8--8--10--10-| |-------7--7--7--7--7--7--7--------7--7--7--7--7---7---7-| |-7--7-----------------------7--7------------------------| |--------------------------------------------------------| |--------------------------------------------------------| |-------------------------------------------------------------| |-------8--8--8--7--------8--7-----------8--8--8--/10--10--10-| |-------7--7--7-----7--7--------7--7--7--7--7--7--------------| |-7--7-----------------------------7--7-----------------------| |-------------------------------------------------------------| |-------------------------------------------------------------| |------------------| |-/12--12--12--10-| |------------------| |------------------| |------------------| |------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash