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|----------------------------------------------------------------| |------------------8h10p8-10b12-8h10p8---------------------------| |--------------7h9---------------------9-------------------------| |---------9h10---------------------------9-10-10/12-12-10-9-9h10-| |-7b8r7-5~-------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |---------------------------------------8-10p8-10/13-12-13-13/15-| |------------------------7-9-9b10r9-7h9--------------------------| |-10h12-10-9-9h10-9-9h10-----------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |-13h15p13\12-12h13p12\10-12p10-8-10p8-7h8-8---------------------| |--------------------------------------------5-5/7-5-5-5h7p5-4---| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |-------------| |-------------| |-------------| |-7b8-7b8r7-5-| |-------------| |-------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash