* This content is licensed by BMI
|-------3--------------1-------0---8--7--3----0--------0-| |-----2---2----------1---------1------------3----------1-| |---2-------2------2---------0-----9--7--4-----------2---| |----------------3---------2-----------------------3-----| |------------------------3-----------------------3-------| |-3------------3-----------------------------------------| |-13--12--8--5--------0--8--7--3-------------------0--8--7--3---0| |---------------------1--9--7--4--6p5p3h5h6--------1----------3--| |-14--12--9--5------0----------------------------0----9--7--4----| |-----------------2----------------------------2-----------------| |---------------3----------------------------3-------------------| |----------------------------------------------------------------| |-------0--13--12--8--5--------0--8--7--3--10--12--13--13--12-| |-------1----------------------1--9--7--4---------------------| |-----2----14--12--9--5------0----------------------0---------| |---3----------------------2----------------------------------| |-3----------------------3------------------------------------| |----------------------------------------------------------12-| |-------8-----------| |-----9-----------1-| |---7-----------2---| |-------------3-----| |-8-----------------| |----------3--------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash