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|----------------------------------------------------------------| |----6-6---6-----------------5-5---5/3---1-1---1/5---------------| |------------5---------------------------------------------------| |----------------4-4---4/7---------------------------------------| |--5---5-5-----------------3---3-3-----0---0-0-------------------| |--------------3---3-3-------------------------------------------| |----------------------------------------------------------------| |----6-6---6/10----12-12----12\10---5-5---5/12-------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |--5---5-5------10----10-10-------3---3-3------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |-----13-13--13h15p13--------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |--12----12--12--------------------------------------------------| |----------------------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash