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|----------------------------------------------------------------| |----------------------------------------------------------------| |-------------12----------------12-----12------------------------| |-----10--12--12--------10--12--12H14--12--12--12--12--12--------| |-14----------------14---------------------15--14--15--14--------| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |------------------------12--------------------------------------| |------------------------12--------------------------------------| |-15--14--12--10--12h14------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |--------------------12-----12-----------------------------------| |------------12------12h14--12--------------9---9----------------| |-12--12h14------14-------------14--12--10-----10----------------| |----------------------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash