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|-14--14-12-----14-14--12----------------12-12---------| |-----------15-------------15-14-14--------------14----| |-----------------------------------14--------------14-| |--------------------------------------14--------------| |------------------------------------------------------| |------------------------------------------------------| |-10-10-10--14-14--12--10--7---7----10-10--7-| |-12-12-12--15-15--14--12----8---8--12-12--8-| |--------------------------------------------| |--------------------------------------------| |--------------------------------------------| |--------------------------------------------| |-14-14--------15-17-15-14--17-17-------2\1-2\1--17-| |-------15-----17-19-17-15--------17--------------| |----------14------------------------18-----------| |-------------------------------------------------| |-------------------------------------------------| |-------------------------------------------------| |--14----14----14--17--14---10-7-10---| |-----15----------------------------8-| |-----------16------------------------| |-------------------------------------| |-------------------------------------| |-------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash