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|-------12--------------14-------------12--------------14--------| |----------13--------------15-------------13--------------15-----| |-12/14-------14~-14/16-------16-12/14-------14~-14/16-------16--| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |-------12--------------14-------------12------------------------| |----------13--------------15-------------13---------------------| |-12/14-------14~-14/16-------16-12/14-------14~-----------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |--------12-12-13-13-13-13/15-15-15---4-5-4----------------------| |-12h14--12-12-14-14-14-14/16-16-16---------5--------------------| |-12h14---------------------------------------5-2----------------| |-------------------------------------------------3~-------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash