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|-10b12~--10--8p7--8b10---7b9r7--5--7--5-| |----------------------------------------| |----------------------------------------| |----------------------------------------| |----------------------------------------| |----------------------------------------| |-------5------------------------------------------------------| |-/5-------5--8--8b10~---8b10--8--6--5~------------------------| |----5-----------------------------------7b9r7-5-----5--7b9----| |-------------------------------------------------7----------7-| |--------------------------------------------------------------| |--------------------------------------------------------------| |-12--15--15b17~--15b17--13--12----------5--7b8r7--5--------| |--------------------------------15--/5---------------5-----| |--------------------------------------------------------5~-| |-----------------------------------------------------------| |-----------------------------------------------------------| |-----------------------------------------------------------| |------------8b10r8---------10b12r10--10b12--10--8------| |------8b10~---------8--20--------------------------10~-| |-5h7---------------------------------------------------| |-------------------------------------------------------| |-------------------------------------------------------| |-------------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash