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|-----------------------7----7----------------------| |-------------------------10---------------7--------| |-------7~---9b11-9-7~---------9b11--9-7-9---9---7~-| |-7--9-----------------------------------------9----| |---------------------------------------------------| |---------------------------------------------------| |------------------10-12-14--10-12---------b14r12-10----10~-| |-----7----------------------------12-12~------------12-----| |---------7h9p7~--------------------------------------------| |-7h9---9---------------------------------------------------| |-----------------------------------------------------------| |-----------------------------------------------------------| |-------------------------------------------------| |----12-10----------------------------------------| |-11-------11--9h11p9----9-11------------------7~-| |---------------------12------12---------7-7h9----| |----------------------------------7-7h9----------| |-------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash