* This content is licensed by BMI
|-------------0------------------------0----------| |-------3------------3-----------2-----------2----| |----2-----2-----2------2-----3-----3-----3-----3-| |-4------------------------4----------------------| |-------------------------------------------------| |-------------------------------------------------| |-------------0-----------------------0----------| |-------3-----------3-----------3-----------3----| |----4-----4-----4-----4-----4-----4-----4-----4-| |-4-----------------------5----------------------| |------------------------------------------------| |------------------------------------------------| |-------------0------------------------0----------| |-------3------------3-----------2-----------2----| |----2-----2-----2------2-----3-----3-----3-----3-| |-4------------------------4----------------------| |-------------------------------------------------| |-------------------------------------------------| |-------------0-----------------------0--------------| |-------3-----------3-----------3-----------3------3-| |----4-----4-----4-----4-----4-----4-----4-----4---2-| |-4-----------------------5------------------------4-| |----------------------------------------------------| |----------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash