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|-----------------|---------------------2-3------|--------------| |-3-2-3--2h3p2----|-------7p5--0------3------3/5-|-----2-3-5----| |---------------4-|-----------------2------------|---0--------4-| |-----------------|-5--7----------4--------------|-4------------| |-----------------|------------------------------|--------------| |-----------------|------------------------------|--------------| |-------------------------------3--2\1--2-----|---------------| |-----------------------------5-----------3---|---------------| |--------4--7--6h7p6--4--3--6---------------4-|-------------6-| |-0h2/4---------------------------------------|-----------7---| |---------------------------------------------|---5--7/9------| |---------------------------------------------|-5-------------| |------------------6--9--9--10-|-5h7p5--------------------------| |--------------7-8-------------|--------8--7----------5-3-2-0---| |-6h7p6---6--7-----------------|-------------7------6---------0-| |-------9----------------------|---------------7--7-------------| |------------------------------|--------------------------------| |------------------------------|--------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash