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|-------------0-------------------------0----------------------| |-------------1-1-1---------------------1-1-1------------------| |-0-0-0-2-0-0-2-2-2-0-0-0--0-0-2-0-0-0--2-2-2--0-0-0-----------| |-2-2-2-3-2-2---3-3-2-2-2--2-2-3-2-2-2----3-3--2-2-2-----------| |-3-3-3-3-3-3-0-----3-3-3--3-3-3-3-3-3--0------3-3-3-----------| |--------------------------------------------------------------| |-0--------0-----0---------------------------------------------| |-1--1-----1-1---1-1-------------------------------------------| |-2--2--0--2-2-0-2-2-0-----------------------------------------| |----3--2----3-2---3-2-----------------------------------------| |-0-----3--0---3-0---3-----------------------------------------| |--------------------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash