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|----0--------0--------0-------0-| |-3--3--3-----3----3---3---3---3-| |-5--5--5-----5----5---5---5---5-| |-5-----5----------4-------4-----| |-0--------0---------5-------5---| |--------------------------------| |------------------------------------0------------0---2-| |--3------3-----3--------0-----1-3---1----1----3--1---1-| |--4----4-4-----4------0-------0-0--------0----0--------| |--4--4---------4----2------2-------------2--2----------| |------------------3---------------3------0---------0---| |--3---------3------------------------------------------| |-3---2--0---2------------------------3--5-7-| |-1---1--1---1------------0------------------| |-2-2-------------------0----0--------4--5-7-| |-0--------0----------2--------2-------------| |-------------------2------------2-----------| |-----------------0----------------0---------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash