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|-------------------------------|--------------| |-12h14-14-14-12-11-12-12h14----|-12h14-14-14--| |----------------------------11-|--------------| |-------------------------------|--------------| |-------------------------------|--------------| |-------------------------------|--------------| |----------------------------------|-------------| |-12h14-14-14-12-11-12-12h14-------|-12h14-14-14-| |----------------------------11h13-|-------------| |----------------------------------|-------------| |----------------------------------|-------------| |----------------------------------|-------------| |----------------------------------------| |-12h14-14-14-12-11-12-12h14-------------| |----------------------------11h13-13/15-| |----------------------------------------| |----------------------------------------| |----------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash