* This content is licensed by BMI
|-------3-3--1-0--------------0-1-0------------0----------------| |-----1-----------3-------3-3-----------1-1-3-------3-1---0-----| |---0-------------------0-----------------------------------2-0-| |---------------------0---------------2-------------------------| |-3---------------------------------0---------------------------| |-------------------3-----------------------------1-----3-------| |-------3-3--1-0--------------0-1-0------------0-1---0----------| |-----1-----------3-------3-3-----------1-1-3-----------3---1-0-| |---0-------------------0---------------------------------------| |---------------------0---------------2-------------------------| |-3---------------------------------0---------------------------| |-------------------3-------------------------------1-----3-----| |----------0---------0-| |-1--------1---------1-| |-------4---------4----| |-----2---------2------| |---0--------0---------| |----------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash