* This content is licensed by BMI
|----14----14-------14----14-------15----15--------17----17----------| |--------------------------------------------------------------------| |-14----14----14-14----14----14-16----16----16--18----18----18-------| |--------------------------------------------------------------------| |--------------------------------------------------------------------| |--------------------------------------------------------------------| |----14----14-------14----14-------15----15--------17----17----------| |--------------------------------------------------------------------| |-14----14----14-14----14----14-16----16----16--18----18----18-------| |--------------------------------------------------------------------| |--------------------------------------------------------------------| |--------------------------------------------------------------------| |----14----14----15-14-15-14----15----15--------17----17-------------| |--------------------------------------------------------------------| |-14----14----14-------------16----16----16--18----18----18----------| |--------------------------------------------------------------------| |--------------------------------------------------------------------| |--------------------------------------------------------------------| |----14----14----15-14-15-14----15----15--------17----17-----17------| |------------------------------------------------------------17------| |-14----14----14-------------16----16----16--18----18----18----------| |--------------------------------------------------------------------| |--------------------------------------------------------------------| |--------------------------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash