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|----9-----------9-----------------------------------------| |-10---7b9r7--10---7b9r7--7-7-7-7p5-----------5--7b9r7-5---| |------------------------------------6-6--4-6------------6-| |----------------------------------------------------------| |----------------------------------------------------------| |----------------------------------------------------------| |----9--12--14-----9--12--14b16r-14~-17-16-14----14--------------| |-10------------10----------------------------17----17-14-17-14--| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |-------------------------------14b16r-14-| |-14------14------14-----17--14-----------| |-16b18---16b18---16b18-------------------| |-----------------------------------------| |-----------------------------------------| |-----------------------------------------| |----------------------------------------| |-17--14--17--14----------17--15--14-----| |-----------------16--14--------------14-| |----------------------------------------| |----------------------------------------| |----------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash