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|-3-3-3---0-0-0---0---3-3-3---3-3-3-3-3-3-3-3-3---0-0-0---0---2-2-| |-0-0-0-0-1-1-1-3-1-0-0-0-0-0-1-1-1-0-1-0-0-0-0-0-1-1-1-3-1-0-3-3-| |-0-0-0-0-0-0-0-0-0-0-0-0-0-0-2-2-2-0-2-0-0-0-0-0-0-0-0-0-0-0-2-2-| |-0-0-0-0-2-2-2-2-2-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-2-2-2-2-2-0-0-0-| |-2-2-2---3-3-3-3-3---2-2-2---------------2-2-2---3-3-3-3-3-------| |-3-3-3---------------3-3-3---------------3-3-3-------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash