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|-14~--14b16r14-------------------------------------| |----------------15b17-17r15--14-14-----------------| |-----------------------------------14--------------| |--------------------------------------14~--12--12~-| |---------------------------------------------------| |---------------------------------------------------| |-14b16r14------------------------------------------| |----------15b17-17r15--14--------------------------| |--------------------------14-----------------11b12-| |-----------------------------14--12-11-9\7---------| |---------------------------------------------------| |---------------------------------------------------| |------------------------------------------| |------------------------------------------| |-9b11-11r9-7--9\11-9-7--9p7---7--9--11b12-| |----------------------------9-------------| |------------------------------------------| |------------------------------------------| |-14/15-14-12-10--------------------------------------------------| |----------------12-----------------------------------------------| |-------------------12------------------------11b12-9b11r9-7------| |----------------------12-10h12p10\9-9h10p9\7---------------7/9\7-| |-----------------------------------------------------------------| |-----------------------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash