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|---6--3--------------6--3-------------3-------------5-8-5-------| |---------6-----------------6--------6---6---------5-------8-5/7-| |-------------5b7~-------------5b7~---------5b7r5~---------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |------------------------------------------------------------| |---8-8-8-8\3------------9/10-10-10-10----------------8-----| |--------------3-3-3-3--------------------5-5-5-57-10---10--| |------------------------------------------------------------| |------------------------------------------------------------| |------------------------------------------------------------| |-------------------------------------------------------------------| |-8\10--13\18--18-15------------------------------------------------| |--------------------17-14-12--12b14r12p10--12-10-12b14-12-10h12-10-| |-------------------------------------------------------------------| |-------------------------------------------------------------------| |-------------------------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash