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|------------------------------------------------------------| |------------------------------------------------------------| |-------------------------10----------------------------10---| |-10b12r10-8--10b12r10-8-----8--10b12r10-8--10b12r10-8-----8-| |------------------------------------------------------------| |------------------------------------------------------------| |------------------------------| |------------------------------| |------------------------------| |-10b12r10-8--8\6--6-----------| |---------------------3-4-4/6~-| |------------------------------| |--------------------------13------------------------------13----| |-13b15r13-11--13b15r13-11----11--13b15r13-11--13b15r13-11----11-| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |---------------------------16--18-----| |-13b15-13b15-13b15-13b15-----------14-| |--------------------------------------| |--------------------------------------| |--------------------------------------| |--------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash